Cut. Track. Review. Deliver. Done.

Your entire video pipeline, handled from first frame to final delivery.

I run media and post operations, brief to delivery. 12+ years for major brands including Dell, Walmart, SiriusXM and more.

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One edit or a full slate, my system doesn’t change. Every stage visible while it moves, so nobody has to ask “where are we on this?”

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  • 4,000+ Video deliverables shipped
  • 35M+ Audience reach across platforms
  • 0 Missed deadlines across 2 years of same-day turns
Trusted by
  • Dell Technologies
  • Walmart
  • Nutanix
  • SiriusXM

Where I plug in.

  • Post-Production Delivery

    Post-Production Supervisor / Senior Editor

    Selects, editorial, graphics, color and mix, versioning, QC, and final delivery.

  • Workflow & Systems Design

    Post Operations Lead / Media Ops Lead

    Pipeline setup, naming conventions, review workflows, handoff, and asset tracking.

  • Client-Facing Delivery

    Project Lead / Account Manager

    Client comms, stakeholder alignment, feedback loops, launch timelines, and on-time delivery.

  • Technical Media Operations

    Media Manager / Post Tech

    DAM setup, file ingest, transcode, caption encoding, storage, and archival.

  • Production Operations

    Line Producer / Production Manager

    Schedules, crews, budgets, vendors, dependencies, and shoot logistics.

  • Creative Post Producing

    Post Producer / Creative Producer

    Cut plans off the brief, story structure, music and pacing, revision calls, and creative sign-off.

Selected work, by capability.

SiriusXM
  • 6 Daily Shows
  • Same-Day Publish
  • 31M Subscribers

SiriusXM daily video programming.

Initial hire on the video programming team. Built the SOPs, workflows, and CMS pipeline from scratch as the platform launched, then ran daily post across 6 flagship shows.

What I ran
  • Daily post across 6 flagship shows, lead seat on Jeff Lewis Live
  • SOPs, workflows, and CMS pipeline built from scratch as first hire
  • First fully-remote interview workflow rolled out at COVID onset
  • Standards work: bleeps, legal removes, advertiser-sensitive cuts
Impact
  • 2-hour record-to-publish window held on every show, daily
  • 100% same-day delivery rate across two years
  • 25% turnaround reduction from workflow standardization
  • 2 hours of redundant manhours saved daily via CMS tuning
Walmart
  • 6 Approvers
  • 33 Deliverables
  • 48h Record-to-Publish

Walmart Connect at CES 2026.

Multicam interview program from the CES show floor in Vegas: 10 longform interviews plus a social teaser for each, cut in Austin against a 48-hour record-to-publish window with six layers of approval.

What I ran
  • Supervised post and scaled the edit bay to hold the 48-hour turn
  • Live deliverable-status board built for producer and account exec to self-serve updates
  • Multi-terabyte footage shuttle from Vegas crews to Austin post
  • Multicam conform across mismatched frame rate and white balance
Impact
  • 33 file-level deliverables shipped to Walmart Connect's public channels
  • 48-hour record-to-publish window held on every piece
  • 6 approver groups cleared per asset without slipping
Nutanix
  • Quarterly
  • NA / EMEA / APAC
  • Pre-Recorded as Live

Nutanix recurring brand broadcasts.

Quarterly customer broadcast since 2022. Shot single-camera in one session, with formats ranging from on-location SME tours to celebrity interview tie-ins.

What I ran
  • Cut to play as one continuous live broadcast, with no second camera to hide the seams
  • Branded post template designed once and reused per cycle for delivery tightness
  • Regional cuts with subtitle localization per quarter
  • Master lock 48 hours before broadcast on every cycle
Impact
  • 14+ quarterly broadcasts delivered without a missed cycle
  • Subtitle-localized regional cuts shipped to all three audiences on time
  • Program in continuous renewal into its fourth year
Dell Technologies
  • 1-Yr Program
  • 25 Episodes
  • $50K/Ep

Dell Technologies enterprise livestreams.

Biweekly multicam livestream into Fortune 500 IT leadership, running 30 to 60 minutes depending on the episode. Started as a low-budget COVID-era studio shoot and scaled into a year-long enterprise program on a strict 2-week turn.

What I ran
  • Led a 6-person production team and owned a ~$50K/episode budget
  • Program delivery lead across production, post, and client
  • End-to-end ownership that unblocked agency leadership from day-to-day
  • Multicam live encoding, run-of-show, and segment-level QC
  • Show-outline template still used by every producer on the program
Impact
  • 25 episodes delivered on a biweekly cadence
  • 0 missed airtimes and 0 failed streams across tenure
  • Reached Fortune 500 IT decision-makers (CIO, CTO, VP IT)

What changes when I run it.

  • Before

    Footage spread across 4 drives and a Dropbox nobody trusts. 3 files named final, 2 of them wrong.

    With me on it

    Every clip in one master library, named to spec. Only one version is ever marked current, so there's never a question which file ships.

  • Before

    Notes scattered across email, Slack, and a 4pm "quick call." No one's sure which cut is current.

    With me on it

    Every note on one Frame.io link, attached with timecode and checked off when it's in the cut. Everyone's working from the same version.

  • Before

    6 freelancers, a $250K budget, and no clear owner when a shoot day goes sideways.

    With me on it

    I lead the team and own the budget. Calls get made, spend stays within scope, and client has one point of contact from brief to delivery.

Download PDF

Josh Howard

Media & post-production operations

12+ years moving media from brief to delivery

Austin, TX · Remote worldwide

Email me

How I got here.

I started as a video department of one. My last year of film school I was the only video person at an RC aircraft retailer. Every launch was mine to shoot, produce, and cut. No workflow existed, so I built one.

Five years of editing followed, direct response spots that aired worldwide and then short-form at agency volume. I got good at editing, but increasingly found myself fixing the process that fed it.

At SiriusXM I was one of the initial video programming hires and grew the slate from 3 daily shows to 6. When the studios shut in March 2020, I built the first fully remote workflow so delivery never stopped. That's where the work turned operational, and it stayed there through Dell's livestream program in Austin.

Same move every time: take the part of the pipeline nobody owns and make it something a team can run. Need overflow coverage? Hand me a lane. Hiring for media operations? I've built the function, not just worked inside one.

Most of my time outside work goes to my lovely wife and child. We walk the downtown trails and keep a running hunt for the best hole-in-the-wall BBQ and coffee in Austin. What's left goes to backroad drives in the GTI, THE FINALS, where I'm somehow top 10%, and a home network that never quite stays finished.

Experience

  1. Post Supervision & Production Operations

    Independent Consultant

    – Present

    Austin, TX · Remote

    Post supervision, senior editorial, and workflow builds for agency and brand teams. Overflow coverage on live programs, series, and campaign work.

  2. Production Program Manager, Dell Technologies

    Brand Revolution

    enterprise marketing agency

    – · 1 yr

    Austin, TX · On-site

    Owned run of show, crew, and delivery for Dell's livestream slate, from vendor coordination through post-event cutdowns.

  3. Producer/Editor, Video Programming

    SiriusXM

    satellite & streaming media

    – · 2 yrs 2 mos

    Los Angeles, CA · On-site · Full-time

    One of the initial hires for video programming. Grew the slate from 3 daily shows to 6 and built the remote workflow that kept delivery unbroken through the 2020 shutdown.

  4. Video Editor

    Lemonlight

    branded video agency

    – · 2 yrs

    Los Angeles, CA · On-site · Full-time

    Short-form branded spots at agency volume, cut against fixed turnaround windows for a rotating client roster.

  5. Video Editor & Sound Stage Manager

    Modern Media

    direct response media, InStyler hair tools

    – · 3 yrs

    Los Angeles, CA · On-site · Full-time

    Editorial on infomercial and commercial spots that aired worldwide, plus instructional cuts, localized versions, and day-to-day operation of the sound stage.

  6. Videographer & Editor

    Bananahobby.com

    RC aircraft retailer

    –

    Los Angeles, CA · On-site · Part-time

    Sole in-house video. Shot, produced, and edited every product launch and review.

  7. Video Editor Intern

    4WT Media

    marketing startup

    –

    Culver City, CA · On-site · Internship

Skills

  • Production operations
  • Program delivery ownership
  • Line producing
  • Budget & schedule ownership
  • Workflow & systems design
  • AI-assisted workflow tooling
  • Ingest-to-delivery pipelines
  • Senior editorial
  • Cutdowns & short-form versions
  • Motion graphics & titles
  • Color & mix
  • Versioning & review
  • QC & deliverable specs
  • Run-of-show & live multicam
  • Vendor & crew coordination

Education

Azusa Pacific University

BFA, Cinematic Arts Production

Emphasis in post-production · Magna cum laude

Stack

  • Editorial & finishing
    • Adobe Creative Cloud
    • Premiere Pro
    • After Effects
    • Illustrator
    • Adobe Media Encoder
  • AI
    • Google Omni
    • Codex
    • Claude Code
    • Adobe Firefly
    • Reve
  • Live & broadcast
    • TriCaster
    • OBS
    • NDI
    • RTMP / SRT
  • Review & status
    • Frame.io
    • Notion
    • Monday.com
    • Asana
    • Airtable
  • Media management & transfer
    • Asset / media library management
    • Signiant
    • LucidLink
    • Aspera
  • Archive
    • SAN / NAS
    • LTO
    • Amazon S3 Glacier
Download PDF

Bring Done. to your next program.

  • Full-time

    Own production and post operations end to end.

  • Freelance

    Drop-in post supervisor or overflow editorial when a program is underwater.

  • Project Supervision

    One program, brief to delivery, with a single accountable owner.

Tell me what you're building.

Josh Howard Media Operations & Post-Production
Now booking Full-time or freelance
Email me

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